ep’s
the first book in the representation by touch series of artists book addressing the relationship between touch & sight / the haptic and the optic
unique copy
2014, single segment case bound codex,
pulp printing and relief prints (rainforest plywood) on Awagami Kozo
rainforest plywood, felt, 52 x 68 cm (open)
variable edition of 11 books, one artists proof book.
reception;
“Paradise lost: The compassionate and haptic nature of Tim Mosely's Kanage pholu wanda”, Bodman, S. L. (2014) in Printmaking Today, 23 (4).
“Kanage Pholu Wanda”, Capelleveen, P, (2022) in Materialia Lumina/exhibition catalogue, Stanford Libraries and the Codex Foundations, pp182 - 185.
collections;
exhibitions:
Materialia Lumina: Contemporary Artists' Books from the Codex International Book Fair, Green Library,Stanford University, 2022
the Takesada Matsutani. drop in time, Book Lab,Artists' Books at Hauser & Wirth Somerset, UK, 2018/19
New on the Shelf, rare books & contemporary artists’ books, Green Library, Stanford University, 2018/19
A Point of Inflection, Gympie Regional Gallery, Qld, Australia, 2017
INFLECTION, Centre for Fine Print Research, UWE, Bristol, UK, 2016
Libris award 2016, Artspace Mackay, Mackay, Qld Australia, 2016
The Contained Narrative: Defining the Contemporary Artist’s Book, Minnesota Centre for Book Arts, 2015
re/membering touch, white gloves room, State Library of Queensland, 2014